SETPIECE Independent critical review Skip to content Issue 07 / 26

Award record

1974-1975 award record

Categories
4
Honoured
4
Nominated
19
New this season
1

4 awards were given across 4 categories, chosen from 19 nominated entries listed below. The entries have been checked line by line against published records. One category appears for the first time this season: Outstanding Lighting Design.

Four craft categories, split evenly between two productions: The Wiz took two and Sherlock Holmes took two. Nineteen names were shortlisted across the four headings.

This is also the season lighting design enters the record. It is the last of the three original craft headings to be named, five seasons behind costume — a gap worth noting given how central lighting is to how a production reads from the house.

Both winning productions that season were adaptations. The Wiz reached Broadway at the Majestic Theatre on 5 January 1975, retelling L. Frank Baum's 1900 novel The Wonderful Wizard of Oz; it was nominated for eight Tony Awards and won seven.

Its costumes were by Geoffrey Holder and its choreography by George Faison. Those are exactly the two categories it takes on this page. That kind of independent agreement is worth noticing in a record assembled from period announcements.

The other two awards went to Sherlock Holmes, for Carl Toms's set and Neil Peter Jampolis's lighting. It was the Royal Shakespeare Company revival of the play William Gillette wrote, with Arthur Conan Doyle credited as co-author because the plot was drawn from his stories.

Directed by Frank Dunlop and starring John Wood, it moved to Broadway in November 1974 and was performed 471 times. Between them the four awards cover a set, a lighting rig, a wardrobe and a dance vocabulary — the whole craft list as it stood in 1975.

Sources: The Wiz, Sherlock Holmes (play)

A bare stage photographed from the deck, with an overhead lighting rig throwing coloured beams down through haze and a scaffolding tower standing at the right.
A rig loaded over a bare stage — the decade the craft categories settled. Photographs on these record pages illustrate the period; they do not depict the productions listed.

Outstanding Choreography

Winner

  • George Faison The Wiz

Also nominated

  • Dennis Denehy The Lieutenant
  • Donald Saddler Good News
  • Margo Sappington Where's Charley?
  • Roger Morgan Saturday, Sun, Moon

Outstanding Costume Design

Winner

  • Geoffrey Holder The Wiz

Also nominated

  • Carl Toms Sherlock Holmes
  • Fred Voelpel Seascape
  • John Napier Equus
  • Willa Kim Goodtime Charley

Outstanding Lighting Design

Winner

  • Neil Peter Jampolis Sherlock Holmes

Also nominated

  • Andy Phillips Equus
  • Feder Goodtime Charley
  • Julia Trevelyan Oman Brief Lives
  • Roger Morgan Saturday Sunday Monday

Outstanding Set Design

Winner

  • Carl Toms Sherlock Holmes

Also nominated

  • Franco Zeffirelli Saturday Sunday Monday
  • John Conklin Cat on a Hot Tin Roof
  • John Napier Equus
  • Julia Trevelyan Oman Brief Lives
  • Scott Johnson Dance with Me
  • Tom H. John The Wiz
  • William Ritman God's Favorite

Questions about this season's record

Is this the first season here that lists nominees?

Yes. Every season on this record before this one names only the people honoured, because shortlists were not published. Nineteen nominated entries appear here, and from this point on a reader can see who was considered as well as who won. That change is what makes the page long.

Which award appears for the first time this season?

Lighting design. It is the last of the four craft headings on this page to arrive, five seasons after costume design and six after set design. Anyone who lit a production before this season is absent from the record entirely, however well the work was received at the time.

Why do The Wiz and Sherlock Holmes each appear three times?

Because each is credited three times over. The Wiz takes both the choreography and costume awards and a set design nomination; Sherlock Holmes takes lighting and set design and a costume nomination. Equus matches their three credits but converts none of them into an award.

Did one person win more than one award this season?

No. The four awards go to four different people. Carl Toms comes closest: he wins set design for Sherlock Holmes and is also nominated for costume design on the same production, which is the sort of double credit that becomes common once the craft categories split further apart.

Who else on this page appears elsewhere in the record

7 of the 19 names on this page appear in at least one other season held here. Reading a person as a run rather than a single entry is the point of an index like this one. A designer's work shows up under two or three different category names as the headings were renamed.

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